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Showing posts with label Full Sail. Show all posts
Showing posts with label Full Sail. Show all posts

Sunday, August 28, 2011

Full Sail Worth It?: "Swan Song" Course Reflection


Okay, so here’s the break down of my coursework from Full Sail. Noted the program just changed, but as Alumni you can always audit a course to keep up.

           I.     Media Literacy and Research Methodologies

I knew how to do Academic research, but as far as business is concerned information that is vital for change may not be on the academic databases before a person can make a great decision on that new piece of information.

Twitter: For business reasons, this really made sense, but I needed this class to learn how it was effective for business purposes. Twitter is a quick message system that send messages to your team and can be used as a public relations service.  

Linkedin: I had tried it before, but again did not know how it could be used to find jobs or get people on board a team to develop a project.

Diigo: This helped to link to groups that were finding different types of links that were focused on specific research focuses from topics related to the energy crisis to Japanese Anime.

Blogs: These helped me to start to develop an understanding of web presence. Blogs would continue to be a topic of discussion through the rest of the academic year. 

Continued development of media literacy means to look out for websites that can help get a person closer to their goals. In this regard, sites to look out for are “Google +” and “Klout” because these two new service could change social networking in the coming years.


         II.     Executive Leadership

This was a great class that talked about the use and abuse of power. Unlike other leadership courses I had before, we studied the book the “48 Laws of Power” to look at the historical mistakes and successes of people such as Tesla, and how in our cotemporary society people can rise to power by getting others to reach their potential.

This class helped me develop and realize my leadership abilities. By working with people who work with or under me, we can get a desired shared goal by amplifying our skills. Given my time working with Diane Hyppolite, my assistant, and others, I have full confidence that whatever the job is I can build a team with the right people to get it done.


        III.     Project and Team Management

The overall goal here was to create timelines to reach realistic goals when dealing with a team. If that meant to create a project or event, the process was very similar. The most important assignment in this class was the idea of putting together an event. This involved developing a budget, a team, an event then getting funding for that event. After those steps, the final step was working with others in that budget. Unfortunately, this class only gave the skills to run an event team under a budget, pitch an event, and develop a sleek event business plan. The rest of the classes I needed came further in the program in regards to starting a business.


       IV.     Business Storytelling and Brand Development


This class real developed Guy Kawasaki’s ideal of make “meaning” or “mantra over mission statement”. In other words, how do you get people to understand what your brand does?  Full Sail’s adopted the solution was to develop a brand’s story, a narrative that conveyed the history and reason why a brand should be supported.

Similar to inception, I learned in this class was not just how to sell an idea or concept but to get people to come to the decision why they should support an idea or concept. This skill I use almost every day with the business I am developing, and with others who need help developing their own ideas or concepts.

         V.     Entertainment Business Finance

An extension of Project and Team Management, This class got into the more meat and potatoes of business planning when it came to money. The Pro-Forma assignment help define costs, profits, and responsible spending. Now I can use Excel to create spreadsheets that show a proposed budget and how that money will be spent.

       VI.     Negotiation and Deal-Making

With reading on psychology of deal making from Harvard, Role-play assignments had us take different roles with different interests. These interests represented clients based on case studies who had psychological and practical fears. For example, in one assignment, I played a new director trying to get a former movie star who feared her age was factor and so demanded more money than what she was currently worth; moreover, she had gotten negative media attention related to drug chargers that caused her career to stop. At the same time, I had to get her on board within a proposed production budget. 


The compromise that was made was helping the former movie star with her social networking in correlation to the film’s release. This compromise would help her get positive press for TV show appearances and bolster support for the independent film documentary. In other assignments, the role was switched and I was the talent who feared something, but wanted something else. These role-plays help me understand peoples need and wants, and how to create a deal that best represented all parties. 


In application, this really helped me consider how to empathize and negotiate with people who could have irrational and rational fears caked into wanting something I could offer. However, I find myself getting people to realize the benefits of working with us, and they usually agree. When we actually get results we confirm it was a smart decision and build trust with our strategic partners, sponsors, fans, etc.

      VII.     Product and Artist Management

Unlike “Project and Team Management”, this dealt with a specific event for a single product or artist. The major difference is that unlike an event, something or someone would be the highlight of the entire show. This was about developing a philosophy for real world situations. For example, a new starting out artist’s manager could demand a bigger cut of the ticket and music sales, but later as the artist becomes more successful the manager could ask for less of a percentage based on a larger profit margin. In this example, charging a starving artist more seems cruel, but the manager needs the money to be able to operate. Still it would make sense to most people to charge the successful artist more, but if the manager is not greedy, he can operate on a smaller percentage because the artist’s profit is higher.

Explaining the above example to a client before representing them is exactly what the class was about and a skill I picked up. I find these situations come up every so often with the business I started when it comes to contracts, taxes, and explaining why we charge X for something and Y for another.


    VIII.     Advanced Entertainment Law

I was no novice to trademarks and patents, but this class gave me a great free resource to look up case studies and lead me to find the actually document that describes natural trademarks in today’s internet. Now, if someone asks me about natural trademark on the net, I can point them to a government site and document, explaining the documents, and cite a case as an example.

Key resources from project:
Lanham (Trademark) Act (15 U.S.C.) Index (n.d.) BitLaw. Retrieved on April 19th, 2011 from http://www.bitlaw.com/source/15usc/

Marcus (2008) Natural Answers Inc v. Smithkline Beecham Corporation


       IX.     Entertainment Media Publishing and Distribution

This class gave me the ability to develop traditional and non-traditional plans to market and sell different types of works. This added to my knowledge from such podcasts as “Webcomics Weekly” that explored similar topics related to free to paid content marketing.

         X.     Digital Marketing

Search engine optimality, social networking, email newsletters, and press releases were key concepts in relation to marketing budgets; however, “Conversions” was really the focus to this class because it helped create realistic goals to what wanted to be accomplish through the varying forms of internet media. For example, we learned to breakdown the cost of a digital marketing campaign and then measure how effective that campaign was in a certain time frame. The basic conversion was leads to sales, then other conversion could breakdown ways to measure these various successes such as emails to leads and so forth.

I now have the ability to develop an Internet marketing camping and correspond with a team to pull data to make decisions and implement a dynamic online marketing campaign based on trends. Also, I now can develop reports for clients, peers, or employers to make decisions on the success and fails of the campaign.

       XI.     Business Plan Development
This class started a reflection process and review of the ten courses and how in combination they could help us create a business plan. It helped developed the first half of a business plan draft. It developed a three-year budget plan in accordance to all the needs a business would need to be successful such as marketing and so forth.

In the class, I was able to consider weaknesses in my plan that needed to be addressed before showing it to investors.

     XII.     Final Project: Business Plan
A follow up to the Business Plan Development class, this class finalized a business plan draft, and covered applications of what we learned and how this applied to the jobs market. Other supplement topics of choice were personal finance and seeking investors. The course was a reflection and affirmation of the entire Full Sail Master of Science Program. 

As a follow-up, I was realized the weaknesses in my plan needed more focus on the fine tuning the market research, developing more leads, and finalizing planned payouts to investors. 

Saturday, March 26, 2011

Re: Coaching, Consultation, and Developing Talent

Before I read Chris Garrett's article on coaching (Chris.com 2011, 3, 19), I realized that's what I had been doing for years.

"Couching" is a service that helps someone get to the next point of where they want to be. When I was a community college tutor before becoming a teacher, I tutored people on the same premise.

Although I am still a "Noob" or "Novice" to blogging or providing content on the Internet that's worth reading, I think I can safely say Garrett is describing a consultation model. For example, when my dad was working corporate, he consulted on both legal and tax issues. Later as a criminal defender, he did his best for the client who needed to transverse the legal realm. In both types of jobs, Garrett's definition of coaching seems to hold because my dad developed a relationship with a client, listen to their needs, and then provided advice on those needs as it met the limits or rules that had to be dealt with in the corporate or courtroom sense.


Another key point is a coach/consultant has to believe in their client.
Noah St.John of the Secret Code Of Success (http://www.secretcodebook.com/)even cites in his research that most successful people have at least one person who believes in them. In this regard, we could consider that every successful person has had a coach. For example, Joan Jett of the Runaways had manager Kim Fowley. Fowley coached her on how to be a success in the music business. If he didn't believe in Runnways he wouldn't have invested his time and money (http://newsroom.mtv.com/tag/the-runaways/).




Who Coaches a Coach?

This is hard because before you can coach someone, someone has to believe and support you. In my case, I've had good friends and former students kick me when I am feeling down or remind me what I have to offer when a plan does not go exactly as I would have wanted it. Bottom line, you need a healthy diverse support group that helps in many ways before you can really offer developing someone else. The part about this is it takes time to build these types of relationships.

Should I get paid to couch?

I reluctantly say "yes" to this questions because I don't think this it is simply an hourly wage or rate for consultation unless your working with or for a major corporation or small firm. I think for start-up projects with independents, payment should come in other forms (i.e. favors, connections, or project percentages, etc.). In consideration of Guy Kawasaki Art of Start, the focus should be helping people learn, develop, and grow because if the focus is only on money then people won't be successful and financial rewards just won't happen (http://www.youtube.com/watch?v=L3xaeVXTSBg).

Am I a coach?

You are as long as you have some experience you have to share with someone else that gets them to the next level. LOL, the moment you give someone really good advice that helps them, you are a coach. From a Full Sail assignment, I thank Kurt from TGT because inadvertently gave me coaching on pod-casting. Also, there's nothing wrong with being a coach and getting coached on something else. My art is getting better because I am being coached by Diane Hyppolite.



What if I give bad advice?

LOL, Then you are a bad coach. Okay, seriously, figure out what you don't know, or what you need to learn to become a better coach. For example, when I first started working in education, I couldn't help this Japanese student with her English paper, so I got ESL classes to make me a better tutor. This was the same for legal, tax, and business advice. Of course, I've spent alot of money on formal education, but there's plenty of free learning on the net.

How to Get Started...

From: http://www.chrisg.com/build-coaching-practice/

1. Referrals – Do great job of wowing your existing clients and they will bring friends. Again, it is about results mostly, but also their relationship with you. When they praise you, ask for referrals.
2. Networking – If you are looking for business people then use LinkedIn. Lewis has a brilliant video course that will make your LinkedIn work rock. I already learned a great deal from watching a couple of his videos. Life coaches could find many people in Facebook. I have picked up a fair few clients from live events and workshops – relationship is so important that seeing you face to face makes a huge difference.
3. Forums – By answering questions and showing you “have the right stuff” you will build a reputation, and again, allow people to get to know you.




Re: People I Work “With”

Two projects I am current on have really been interesting to start off on a consultant/partner level: “NeoGlow Entertainment” with Diane Hypolite (www.kickstarter.com) and “Win Writing” with Wendoll Douglas (Web Presence in works). Neoglow Entertainment as of now is working on developing a designer toy line and Win Writing will be a adult writing project hopefully coming out this summer 2011.



Above: This is a button/achievement Diane Hyppolite created for the "OMG It's Shaun White Project".

Re: Offers that Didn’t Workout

However, I have been offered two consultation positions that did not workout. Both with two Art groups, the first offer fell through because of a lack of communication from multiple parties. The second was an art group that I didn’t have the time to give given the hours they would pay me.


Inadvertently, I’ve been following Garrett’s advice of limiting those I work with based on certain criteria (Chris.com 2011, 3, 26). The first is getting to know someone, which I’ve cheated because I’m only working with close friends so far. The second is time; meaning, even though when my pocket book is hungry at times, I cannot morally just take someone’s money or commit to a project if I won’t see it through.

Of course, I plan to start smaller projects where I’m just a coach/consultant with people in the near future instead of my current model of practice.

Friday, March 25, 2011

Elements for Investor Pitch

Hey all,

For those hidden "Ninjas" of Business who visit, read, and exit into the night without saying hi, I present my week 4 final project management categories from my Full Sail studies.

Before I post the final assignment on the blog, these categories represent what key points you have to address before an investor will consider backing a project. Of course, this isn't the only way, and new ways like Kickstarter will always change project funding. So again before you try any of this at home, please consult experts (legal and tax). Plus, I encourage posting and emails as usual to continue a discussion unless you are a ninja an posting will jeopardize your mission.

1. Business Concept Overview (+)Project Definition
2. Size and Nature of the Target Market
3. Competition Analysis
4. Sales and Marketing Strategy
5. Financials
6. Effectivenes of Pitch

Sunday, March 20, 2011

Gears of War 3 Ticker Bunny: A Case Study



For those following my blog, I have been exploring or beating a dead horse called “connect with fans”( http://zons-education-edutainment.blogspot.com/2011/03/connect-with-fans.html).

The concept directly relates to this idea of finding and maintaining a Niche market. Establishing a Niche, has been defined by many experts as the use of social media technology as seen on such sites as chrisg.com, webcomicsweekly.com, webcomicalliance.com, TGT.com and so on.

For this week’s Full Sail blog assignment for my “Product and Artist Management” class at Full Sail, I wanted to relate the “Connect with Fans” and the Gears of War fan project the “Ticker Bunny”.

Some Brand and Franchise Background Information
Now let me admit my number one bias first for writing this Blog Case study, I love Gears of War, and have got a new HD TV, A Wi-fi Upgrade to my old Xbox 360s, and am pre-ordering the game to be delivered to my parents' house as I plan to teach in Korea just to play the special GameStop beta. Of course, I’m not the girl who got a Gear’s Crimson Omen tattoo on the back of my neck, but it safe to say after close to ten years from "Gears of War 1" to the anticipated “Gears of War 3”, this is a very strong established Brand and Franchise (Goldstein, 2011)

It’s Multi-Media Story
From Novels to Comics to a potential film the games coincide with all the official stories (Goldstein, 2011) .


Image From:
http://media.teamxbox.com/dailyposts/gow-thependulumwars.jpg


Image From:
http://www.ripten.com/wp-content/uploads/2008/07/gears-coffee-table-classic2.jpg



How did Social Media Change Gears Marketing?

Taking a lot form Randy Pitchford of Gear Box and famed success “Boarderlands”, Cliff Bleszinski (the lead creator of Gears) decided to combine a grass roots effort with a established brand. Unlike the "Call of Duty Franchisee" which takes in consideration of the Fans loosely, Cliff decided with this final chapter of the game in the franchise to give fans what they wanted based from the years of complaining form Gears of War 2 such as "dedicated servers", "speed game play issues", and so on. My observations over the years has been You Tube showing Gears of War 2 cliches in the game that could have been avoided if the game makers took a little more time.

Warning Video has Profane Language from the Gears of War 2 Characaters



This time, they have proactively polishing the game by pushing the game date to September 2011 and offering an exclusive beta of the game.



Moreover, Cliff and Epic studio have been allowing fans to record a lot the game play fro fan run conferences such as PAX East (http://east.paxsite.com/) and putting the game play footage on YouTube. This seems to be first time for an established franchise gets so much amateur converge. A predecessor from Microsoft, Halo Reach, touched on what was possible, but Cliff and Rod Fergason from Epic Studios have really made an effort to connect with fans. For example, they used their Facebook page to let fans vote for what maps would be available for the April to March 2011 Beta.



And so, Ticker Bunny is Born
I’ve been trying to research the Ticker Bunny more, and have even politely asked to interview its creator to get a better inside look at the creative process. Unfortunately, I have not gotten a response and their is very little concerning this fan based project aside from the picture and the video below.



As of now, it seems the social media marketing lead to it's publicity. Cliff had referenced the image online, which lead to small hype and a new line of plush toys of cute version of an enemy monster who explodes in the Gears of War Universe.


Image From:
http://forums.epicgames.com/showthread.php?t=691126

Compare the Ticker Bunny to the NCEA Ticker that more accurately recreates the monster.


Image From:
http://www.actionfigurepics.com/2009/05/neca-reveals-gears-of-war-2-series-4

What Can We Learn from this As It Relates to Artist and Product Management?

Simple, fans can make and market new products that can be offered in the established fan base. It this sense with social media, fans can save a company from the research and development of a new product to over an established brand or franchise.

Sure, but How is Profit Made from such a Production?

This is the moral dilemma with the “Free Economy” of the Internet when compared to the classic cooperate mission statement of “Get as much money for the Share Holder”.

In any case, a company can legally own and discredit fan art in order to produce it’s own version of said product.

Hypothetically in this case study, Epic studios and Microsoft have legal agreements that may entitle them to recreate her work for mass production and not give her any royalties or compensation. Of course, in the designer toy markets she can sell the toy and make money from her work, but if Microsoft or Epic Game studios really pushed it, they could have her stop production if they make a similar product for their markets.

So Why Haven’t They?

LOL, the catch 22 of social media. If Microsoft or Epic studios did try and sue her and remake a cute ticker toy, they risk losing fans and sales because they branded Gears of War 3 as a pseudo-fan-based project for fans. Hurting one fan could rupture their campaign. Sadly, the Internet has made marketing and product offerings potentially more democratic than the US government itself.

Moreover, Here’s a Thought of what May Really Be Going on with Fan Art from Connecting with Fans



References Excluding Video or Picture Links:

Goldstein, H (2011) Interview Talking Gears With Cliff Bleszinski Part 1,2,3, and 4 IGN. Retrieved From: http://www.ign.com/videos/2011/03/11/talking-gears-with-cliff-bleszinski-part-1?objectid=14304771

Wednesday, February 16, 2011

Full Sail Business Financing Discussion Post_Rich Dad Poor Dad

LOL, as teacher who had said a lot of the things Poor Dad said about money this book was a horror story with a happy ending.

Re: Kiyosaki RT, Lechter SL (2000) Rich Dad, Poor Dad: What the Rich Teach Their Kids About Money--That the Poor and Middle Class Do Not! Business Plus


Yeah, what really got me about working at community college was that there were teachers who had assets such as rental properties and struggling adjuncts like myself. One teacher owned an entire apartment complex in the Bay Area. The teachers who had assets never had to worry about their jobs. In this sense a culture divide was kind of made between "Rich" teachers were truly not in it for the money, as other quote on quote "Poor" teachers had more liabilities and therefore had to work. It wasn't as if neither one didn't care about the students nor that adjuncts didn't have access to incomes between $16,000 to $90,000, but that income difference was there.

I have met millionaires in California: Some who didn’t like me because I was not wealthy, and others who were really cool because they understood my choice to be a teacher. I also saw the effects of the 2008 crisis on many of the wealthy engineers whose primary assets were based on a good UC education and past inventions with start-up engineer firms. These entrepreneurial engineers sold their companies to bigger companies to avoid direct competition and expenses. For example, medical technology has to be approved by the FDA (Food and Drug Administration) and larger firms already have the infrastructure to implement the necessary testing to get a product out faster, as a small start-up does not.

These engineers increase their assets from the liability of owning their own companies. These people who retired at the ages of 35 to 40 had done their best to maintain their assets. After retirement, some of them actually lost a lot of their assets post 2008. They really had to assess their lives and figure the next step. Unfortunately, I lost connection with them. I really wanted to know what happened because I care and if I do find myself in a similar situation, I wanted to learn from their decisions. Similar advice noted in Rich Dad Poor Dad.

Thinking back about our last class, where Guy Kawasaki explains that company's think about the money don't make money, and company's that think about something beyond making money, make money, I realize my life as a “Poor” teacher was not wrong, but working for the government was limiting. In Rich Dad Poor Dad, I agree with “financial choices” can get you out of the Rat-Race, but I think for myself the most important lesson is that money is not evil, it’s a tool that can help people. Moreover, I became a teacher to help people; thus, money as a tool is synonymous with my philosophy as a teacher.

When putting together a business plan with very little personal assets, the people that have been interested in helping us start a company we’re not really interested in the return, but who we “are” and what we wanted to “do”. These potential investors see money as a tool to help people, and I can only hope that the company that I’m trying to form gives me the same ability to be an “Indian-Giver” and help people make a living from their passions. Note: the history and misconception of “Indian-Giving” is in Rich Dad Poor Dad’s later chapters, and I apologize if I offended anyone, but it really helped me form my philosophy when approaching investors I can work with. Also note: the term really reflects returns and wealth generation from ventures very well.

LOL, I’m actually praying that the things I’m working towards actually pay off at the end of the world in 2012.

Monday, December 20, 2010

Creative Brand Strategy Project



References

Abrams, R. (2101)Successful Business Plan. The Planing Shop

Guigar, B., Kellett, D., Kurtz, S., & & Straub, K. (2008). How to Make Webcomics. Berkeley, California: Image Comics, Inc.


Kawasaki, G (2007, Nov 16) Creating Mantra not Mission from the (2004) Art of Start retrieved from http://www.youtube.com/watch?v=jT7xlFTinIw

Images

Anime Wasabi http://www.animewasabi.com/

Fablevison http://www.fablevision.com/

Half Pixel http://www.haldpixel.com/

Mickey Mouse http://blog.buycostumes.com/halloween-costumes/happy-birthday-mickey-mouse/ 

Nan Desu Kan http://ndkdenver.org/

Penny Arcade http://www.penny-arcade.com/

Joe Camel http://childrenofthenineties.blogspot.com/2009/07/joe-camel.html

Ronald McDonalds http://www.ifood.tv/blog/saving-kids-from-mcdonald-s-junk-food-marketing-0